Johann Sebastian Bach
Born | 21 March 1685 (O.S.) 31 March 1685 (N.S.) Eisenach
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Died | 28 July 1750 (aged 65)
Leipzig
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Works | List of compositions |
Relatives | Bach family |
Johann Sebastian Bach (31 March [O.S. 21 March] 1685 – 28 July 1750) was a German composer and musician of the late Baroque period. He is known for his prolific authorship of music across a variety of instruments and forms, including orchestral music such as the Brandenburg Concertos; solo instrumental works such as the cello suites and sonatas and partitas for solo violin; keyboard works such as the Goldberg Variations and The Well-Tempered Clavier; organ works such as the Schubler Chorales and the Toccata and Fugue in D minor; and choral works such as the St Matthew Passion and the Mass in B minor. Since the 19th century Bach Revival, he has been generally regarded as one of the greatest composers in the history of Western music.
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Johann Sebastian Bach seems to sum up human experience in a way that only the greatest creative geniuses are capable of. His sense of musical architecture and brilliance in working out contrapuntal lines stimulate the mind. But the music appeals equally powerfully to our emotions, and the dance element is never far away. Even if Bach lived before the era of the modern piano, his keyboard music belongs to the most essential repertoire for pianists.
Top Pieces:
Prelude & Fugue 1 in C Major, BWV 846
Goldberg Variations in G Major, BWV 988
Invention 1 in C Major, BWV 772
Invention 4 in D Minor, BWV 775
Minuet in G Major, BWV Anh. 114
Small Prelude in C Major, BWV 939
Biography
Johann Sebastian Bach (1685—1750) lost both his parents at a young age and was sent to live with his brother Johann Christoph, where he received his first musical instruction. 18 years old, he was appointed organist in Arnstadt, where the church authorities were confused by his “curious embellishments” of the chorales; their irritation increased when he prolonged by several months the leave granted him to visit Lübeck and attend Buxtehude´s concerts. He then worked for the Duke Wilhelm of Weimar for almost ten years, but as he didn’t get the promotion that he wanted he eventually applied for the post of Kapellmeister to the musically talented Prince Leopold of Anhalt-Cöthen. Duke Wilhelm was not pleased and threw Bach in jail for a month before discharging him.
In Cöthen, Bach completed many instrumental works, including the first book of The Well-Tempered Clavier, and the Brandenburg Concertos. In 1720, his first wife Maria Barbara died suddenly, leaving Bach with four young children, including Wilhelm Friedemann and Carl Philipp Emanuel. The following year he married Anna Magdalena, who was to bear him a further 13, of whom ten died in infancy. When Prince Leopold married, the good times in Cöthen ended, as his wife resented his preoccupation with music. This led Bach to apply for the post of Thomaskantor at Leipzig, where during his first five years Bach completed three annual cycles of cantatas, the St John (1724) and St Matthew (1727) Passions, and many other sacred works. How he was able to stay on this exalted level of creativity for so long remains a mystery, as his resources actually were quite limited: when he set out his minimum requirements for a well-regulated church music, he received in response from the church authorities only a threat to reduce his salary.
During his last years Bach created works of a somewhat abstract and general nature. The B minor Mass is an exemplar of the mastery he had attained in all the main sacred genres, while pieces like the Goldberg Variations and the Variations for organ on Vom Himmel hoch explore canonic writing. The Art of Fugue, a vast compendium of contrapuntal techniques, remained unfinished. Towards the end of his life Bach went blind. A contemporary newspaper reported that the cause of his death at age 65 was “from the unhappy consequences of a very unsuccessful eye operation”, performed by the British surgeon John Taylor.
Quotes by Bach
“Like all music, the figured bass should have no other end and aim than the glory of God and the recreation of the soul; where this is not kept in mind there is no true music, but only an infernal clamour and ranting.”
Quotes about Bach
“I think that if I were required to spend the rest of my life on a desert island, and to listen to or play the music of any one composer during all that time, that composer would almost certainly be Bach. I really can’t think of any other music which is so all-encompassing, which moves me so deeply and so consistently, and which, to use a rather imprecise word, is valuable beyond all of its skill and brilliance for something more meaningful than that – its humanity.” (Glenn Gould)
“Not brook, but ocean should be his name (Beethoven; Bach is the German word for brook)
“Since the best man [Telemann] could not be obtained, we were forced to fall back on mediocrities.” (Statement of the Leipzig City Council when Bach was appointed Thomaskantor)
Most popular pieces: |
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Prelude & Fugue 1 BWV 846 | C Major | 1722 | 8 | |
Goldberg Variations BWV 988 | G Major | 1741 | 8+ | |
Invention 1 BWV 772 | C Major | 1723 | 5 | |
Invention 4 BWV 775 | D Minor | 1723 | 5 | |
Minuet (by C. Petzold) BWV Anh. 114 | G Major | 1725 | 2 | |
Small Prelude BWV 939 | C Major | 1727 | 3 | |
All pieces: |
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Small Preludes and Fughettas |
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Small Prelude BWV 924 | C Major | 1720 | 4 | |
Small Prelude BWV 925 | D Major | 1720 | 5 | |
Small Prelude BWV 926 | D Minor | 1720 | 4 | |
Small Prelude BWV 927 | F Major | 1720 | 4 | |
Small Prelude BWV 928 | F Major | 1720 | 5 | |
Small Prelude BWV 929 | G Minor | 1720 | 4 | |
Small Prelude BWV 930 | G Minor | 1720 | 5 | |
Small Prelude BWV 931 | A Minor | 1720 | 5 | |
Small Prelude (Incomplete) BWV 932 | E Minor | 1720 | 5 | |
Small Prelude BWV 933 | C Major | 1720 | 5 | |
Small Prelude BWV 934 | C Minor | 1720 | 4 | |
Small Prelude BWV 935 | D Minor | 1720 | 5 | |
Small Prelude BWV 936 | D Major | 1720 | 5 | |
Small Prelude BWV 937 | E Major | 1720 | 5 | |
Small Prelude BWV 938 | E Minor | 1720 | 5 | |
Small Prelude BWV 939 | C Major | 1727 | 3 | |
Small Prelude BWV 940 | D Major | 1717 | 5 | |
Small Prelude BWV 941 | E Minor | 1717 | 4 | |
Small Prelude BWV 942 | A Minor | 1717 | 5 | |
Small Prelude BWV 943 | C Major | 1717 | 5 | |
Small Prelude BWV 999 | C Minor | 1725 | 5 | |
Fugue BWV 952 | C Major | 1723 | 7 | |
Fugue BWV 953 | C Major | 1723 | 8 | |
Fughetta BWV 961 | C Minor | 1712 | 5 | |
Prelude & Fugue BWV 895 | A Minor | 1709 | 5 | |
Prelude & Fughetta BWV 899 | D Minor | 1726 | 5 | |
Prelude & Fughetta BWV 900 | E Minor | 1726 | 5 | |
Prelude & Fughetta BWV 901 | F Major | 1708 | 7 | |
Prelude & Fughetta BWV 902 | G Major | 1708 | 7 | |
Inventions |
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Invention 1 BWV 772 | C Major | 1723 | 5 | |
Invention 2 BWV 773 | C Minor | 1723 | 5 | |
Invention 3 BWV 774 | D Major | 1723 | 5 | |
Invention 4 BWV 775 | D Minor | 1723 | 5 | |
Invention 5 BWV 776 | E-flat Major | 1723 | 5 | |
Invention 6 BWV 777 | E Major | 1723 | 5 | |
Invention 7 BWV 778 | E Minor | 1723 | 6 | |
Invention 8 BWV 779 | F Major | 1723 | 6 | |
Invention 9 BWV 780 | F Minor | 1723 | 6 | |
Invention 10 BWV 781 | G Major | 1723 | 6 | |
Invention 11 BWV 782 | G Minor | 1723 | 6 | |
Invention 12 BWV 783 | A Major | 1723 | 6 | |
Invention 13 BWV 784 | A Minor | 1723 | 6 | |
Invention 14 BWV 785 | B-flat Major | 1723 | 6 | |
Invention 15 BWV 786 | B Minor | 1723 | 6 | |
Sinfonias |
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Sinfonia 1 BWV 787 | C Major | 1723 | 6 | |
Sinfonia 2 BWV 788 | C Minor | 1723 | 6 | |
Sinfonia 3 BWV 789 | D Major | 1723 | 6 | |
Sinfonia 4 BWV 790 | D Minor | 1723 | 6 | |
Sinfonia 5 BWV 791 | E-flat Major | 1723 | 6 | |
Sinfonia 6 BWV 792 | E Major | 1723 | 6 | |
Sinfonia 7 BWV 793 | E Minor | 1723 | 6 | |
Sinfonia 8 BWV 794 | F Major | 1723 | 6 | |
Sinfonia 9 BWV 795 | F Minor | 1723 | 6 | |
Sinfonia 10 BWV 796 | G Major | 1723 | 6 | |
Sinfonia 11 BWV 797 | G Minor | 1723 | 7 | |
Sinfonia 12 BWV 798 | A Major | 1723 | 7 | |
Sinfonia 13 BWV 799 | A Minor | 1723 | 7 | |
Sinfonia 14 BWV 800 | B-flat Major | 1723 | 7 | |
Sinfonia 15 BWV 801 | B Minor | 1723 | 7 | |
The Well-Tempered Clavier Book 1 |
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Prelude & Fugue 1 BWV 846 | C Major | 1722 | 8 | |
Prelude & Fugue 2 BWV 847 | C Minor | 1722 | 7 | |
Prelude & Fugue 3 BWV 848 | C-sharp Major | 1722 | 7 | |
Prelude & Fugue 4 BWV 849 | C-sharp Minor | 1722 | 8 | |
Prelude & Fugue 5 BWV 850 | D Major | 1722 | 8 | |
Prelude & Fugue 6 BWV 851 | D Minor | 1722 | 7 | |
Prelude & Fugue 7 BWV 852 | E-flat Major | 1722 | 8 | |
Prelude & Fugue 8 BWV 853 | E-flat Minor | 1722 | 8 | |
Prelude & Fugue 9 BWV 854 | E Major | 1722 | 8 | |
Prelude & Fugue 10 BWV 855 | E Minor | 1722 | 8 | |
Prelude & Fugue 11 BWV 856 | F Major | 1722 | 8 | |
Prelude & Fugue 12 BWV 857 | F Minor | 1722 | 8 | |
Prelude & Fugue 13 BWV 858 | F-sharp Major | 1722 | 8 | |
Prelude & Fugue 14 BWV 859 | F-sharp Minor | 1722 | 8 | |
Prelude & Fugue 15 BWV 860 | G Major | 1722 | 8 | |
Prelude & Fugue 16 BWV 861 | G Minor | 1722 | 8 | |
Prelude & Fugue 17 BWV 862 | A-flat Major | 1722 | 8 | |
Prelude & Fugue 18 BWV 863 | G-sharp Minor | 1722 | 8 | |
Prelude & Fugue 19 BWV 864 | A Major | 1722 | 8 | |
Prelude & Fugue 20 BWV 865 | A Minor | 1722 | 8 | |
Prelude & Fugue 21 BWV 866 | B-flat Major | 1722 | 8 | |
Prelude & Fugue 22 BWV 867 | B-flat Minor | 1722 | 8 | |
Prelude & Fugue 23 BWV 868 | B Major | 1722 | 8 | |
Prelude & Fugue 24 BWV 869 | B Minor | 1722 | 8 | |
The Well-Tempered Clavier Book 2 |
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Prelude & Fugue 1 BWV 870 | C Major | 1738 | 8 | |
Prelude & Fugue 2 BWV 871 | C Minor | 1738 | 8 | |
Prelude & Fugue 3 BWV 872 | C-sharp Major | 1738 | 8 | |
Prelude & Fugue 4 BWV 873 | C-sharp Minor | 1738 | 8 | |
Prelude & Fugue 5 BWV 874 | D Major | 1738 | 8 | |
Prelude & Fugue 6 BWV 875 | D Minor | 1738 | 8 | |
Prelude & Fugue 7 BWV 876 | E-flat Major | 1738 | 8 | |
Prelude & Fugue 8 BWV 877 | D-sharp Minor | 1738 | 8 | |
Prelude & Fugue 9 BWV 878 | E Major | 1738 | 8 | |
Prelude & Fugue 10 BWV 879 | E Minor | 1738 | 8 | |
Prelude & Fugue 11 BWV 880 | F Major | 1738 | 8 | |
Prelude & Fugue 12 BWV 881 | F Minor | 1738 | 8 | |
Prelude & Fugue 13 BWV 882 | F-sharp Major | 1738 | 8 | |
Prelude & Fugue 14 BWV 883 | F-sharp Minor | 1738 | 8 | |
Prelude & Fugue 15 BWV 884 | G Major | 1738 | 8 | |
Prelude & Fugue 16 BWV 885 | G Minor | 1738 | 8 | |
Prelude & Fugue 17 BWV 886 | A-flat Major | 1738 | 8 | |
Prelude & Fugue 18 BWV 887 | G-sharp Minor | 1738 | 8 | |
Prelude & Fugue 19 BWV 888 | A Major | 1738 | 8 | |
Prelude & Fugue 20 BWV 889 | A Minor | 1738 | 8 | |
Prelude & Fugue 21 BWV 890 | B-flat Major | 1738 | 8 | |
Prelude & Fugue 22 BWV 891 | B-flat Minor | 1738 | 8 | |
Prelude & Fugue 23 BWV 892 | B Major | 1738 | 8 | |
Prelude & Fugue 24 BWV 893 | B Minor | 1738 | 8 | |
French Suites |
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French Suite 1 BWV 812 | D Minor | 1722 | 8 | |
French Suite 2 BWV 813 | C Minor | 1722 | 8 | |
French Suite 3 BWV 814 | B Minor | 1722 | 8 | |
French Suite 4 BWV 815 | E-flat Major | 1722 | 8 | |
French Suite 5 BWV 816 | G Major | 1722 | 8 | |
French Suite 6 BWV 817 | E Major | 1722 | 8 | |
English Suites |
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English Suite 1 BWV 806 | A Major | 1722 | 8+ | |
English Suite 2 BWV 807 | A Minor | 1722 | 8+ | |
English Suite 3 BWV 808 | G Minor | 1722 | 8+ | |
English Suite 4 BWV 809 | F Major | 1722 | 8+ | |
English Suite 5 BWV 810 | E Minor | 1722 | 8+ | |
English Suite 6 BWV 811 | D Minor | 1722 | 8+ | |
Partitas |
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Partita 1 BWV 825 | B-flat Major | 1731 | 8+ | |
Partita 2 BWV 826 | C Minor | 1731 | 8+ | |
Partita 3 BWV 827 | A Minor | 1731 | 8+ | |
Partita 4 BWV 828 | D Major | 1731 | 8+ | |
Partita 5 BWV 829 | G Major | 1731 | 8+ | |
Partita 6 BWV 830 | E Minor | 1731 | 8+ | |
Miscellaneous Suites |
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Suite BWV 818 | A Minor | 1705 | 7 | |
Suite BWV 819 | E-flat Major | 1725 | 7 | |
Ouverture BWV 820 | F Major | 1705 | 6 | |
Suite BWV 821 | B-flat Major | – | 8 | |
Suite BWV 823 | F Minor | 1715 | 7 | |
Suite BWV 832 | A Major | 1708 | 7 | |
Prelude and Partita BWV 833 | F Major | 1708 | 7 | |
Miscellaneous Fugues |
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Fugue BWV 946 | C Major | 1708 | 8+ | |
Fugue BWV 947 | A Minor | – | 8+ | |
Fugue BWV 948 | D Minor | – | 8+ | |
Fugue BWV 949 | A Major | 1715 | 8 | |
Fugue on a Theme by Albinoni BWV 950 | A Major | 1710 | 8+ | |
Fugue – after Reinken BWV 954 | B-flat Major | 1730 | 8 | |
Fugue – after Erselius BWV 955 | B-flat Major | – | 8 | |
Fugue BWV 956 | E Minor | – | 7 | |
Fugue BWV 958 | A Minor | – | 7 | |
Fugue BWV 959 | A Minor | – | 8 | |
The Art of Fugue BWV 1080 | D Minor | 1749 | 8+ | |
Toccatas |
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Toccata BWV 910 | F-sharp Minor | 1712 | 8+ | |
Toccata BWV 911 | C Minor | 1714 | 8+ | |
Toccata BWV 912 | D Major | 1714 | 8+ | |
Toccata BWV 913 | D Minor | 1714 | 8 | |
Toccata BWV 914 | E Minor | 1714 | 8 | |
Toccata BWV 915 | G Minor | 1714 | 8+ | |
Toccata BWV 916 | G Major | 1714 | 8 | |
Four Duets |
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Duet 1 BWV 802 | E Minor | 1739 | 7 | |
Duet 2 BWV 803 | F Major | 1739 | 7 | |
Duet 3 BWV 804 | G Major | 1739 | 7 | |
Duet 4 BWV 805 | A Minor | 1739 | 8 | |
Sonatas |
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Sonata BWV 963 | D Major | 1725 | 6 | |
Sonata – after BWV 1003 BWV 964 | D Minor | 1725 | 8+ | |
Sonata – after Reinken BWV 965 | A Minor | 1725 | 8 | |
Sonata – after Reinken BWV 966 | C Major | 1725 | 8+ | |
Sonata BWV 967 | A Minor | 1725 | 7 | |
Concertos |
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Keyboard Concerto BWV 1052 | D Minor | 1738 | 8+ | |
Keyboard Concerto BWV 1053 | E Major | 1738 | 8+ | |
Keyboard Concerto BWV 1054 | D Major | 1738 | 8 | |
Keyboard Concerto BWV 1055 | A Major | 1738 | 8 | |
Keyboard Concerto BWV 1056 | F Minor | 1738 | 8 | |
Keyboard Concerto BWV 1057 | F Major | 1738 | 8+ | |
Keyboard Concerto BWV 1058 | G Minor | 1738 | 8 | |
Concerto – for two keyboards BWV 1060 | C Minor | 1745 | 8 | |
Concerto – for two keyboards BWV 1061 | C Major | 1734 | 8 | |
Concerto – for two keyboards BWV 1062 | C Minor | 1736 | 8 | |
Concerto – for three keyboards BWV 1063 | D Minor | 1745 | 8+ | |
Concerto – for three keyboards BWV 1064 | C Major | 1745 | 8+ | |
Concerto – for four keyboards BWV 1065 | A Minor | 1730 | 8+ | |
Concerto Transcriptions |
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Vivaldi: Violin Concerto op. 3 no. 9 BWV 972 | D Major | 1714 | 6 | |
Vivaldi: Violin Concerto op. 7 no. 2 BWV 973 | G Major | 1714 | 6 | |
Marcello: Oboe Concerto BWV 974 | D Minor | 1714 | 7 | |
Vivaldi: Violin Concerto op. 4 no. 6 BWV 975 | G Minor | 1714 | 6 | |
Vivaldi: Violin Concerto op. 3 no. 12 BWV 976 | C Major | 1714 | 6 | |
Concerto Transcription – unknown source BWV 977 | C Major | 1714 | 6 | |
Vivaldi: Violin Concerto op. 3 no. 3 BWV 978 | F Major | 1714 | 7 | |
Torelli: Violin Concerto BWV 979 | B Minor | 1714 | 7 | |
Vivaldi: Violin Concerto op. 4 no. 1 BWV 980 | G Major | 1714 | 8 | |
Marcello: Concerto op. 1 no. 2 BWV 981 | C Minor | 1714 | 7 | |
Johann Ernst: Violin Concerto op. 1 no. 1 BWV 982 | B-flat Major | 1714 | 8 | |
Concerto Transcription – unknown source BWV 983 | G Minor | 1714 | 8+ | |
Johann Ernst: Concerto BWV 984 | C Major | 1714 | 8 | |
Telemann: Violin Concerto BWV 985 | G Minor | 1714 | 7 | |
Concerto Transcription – unknown source BWV 986 | G Major | 1714 | 7 | |
Johann Ernst: Violin Concerto op. 1 no. 4 BWV 987 | D Minor | 1714 | 8+ | |
Notebook for Anna Magdalena Bach |
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Minuet BWV Anh. 113 | F Major | 1725 | 3 | |
Minuet (by C. Petzold) BWV Anh. 114 | G Major | 1725 | 2 | |
Minuet (by C. Petzold) BWV Anh. 115 | G Minor | 1725 | 2 | |
Rondeau: Les Bergeries (by F. Couperin) BWV Anh. 183 | B-flat Major | 1725 | 4 | |
Minuet BWV Anh. 116 | G Major | 1725 | 3 | |
Polonaise BWV Anh. 117 | F Major | 1725 | 4 | |
Minuet BWV Anh. 118 | B-flat Major | 1725 | 3 | |
Polonaise BWV Anh. 119 | G Minor | 1725 | 3 | |
Chorale: Wer nur den lieben Gott lässt walten BWV 691 | A Minor | 1725 | 4 | |
Chorale BWV 510 | F Major | 1725 | 1 | |
Chorale: Gib dich zufrieden und sei stille BWV 511–512 | G Minor | 1725 | 2 | |
Minuet BWV Anh. 120 | A Minor | 1725 | 3 | |
Minuet BWV Anh. 121 | C Minor | 1725 | 3 | |
March (by C. P. E. Bach) BWV Anh. 122 | D Major | 1725 | 2 | |
Polonaise (by C. P. E. Bach) BWV Anh. 123 | G Minor | 1725 | 4 | |
March (by C. P. E. Bach) BWV Anh. 124 | G Major | 1725 | 3 | |
Polonaise (by C. P. E. Bach) BWV Anh. 125 | G Minor | 1725 | 3 | |
Aria: So oft ich meine Tobackspfeife BWV 515 | D Minor | 1725 | 2 | |
Minuet (by G. Böhm) | G Major | 1725 | 2 | |
Musette BWV Anh. 126 | D Major | 1725 | 2 | |
March (by C. P. E. Bach) BWV Anh. 127 | E-flat Major | 1725 | 4 | |
Polonaise BWV Anh. 128 | D Minor | 1725 | 3 | |
Aria: Bist du bei mir (by G. H. Stölzel) BWV 508 | E-flat Major | 1725 | 3 | |
Solo per il cembalo (by C. P. E. Bach) BWV Anh. 129 | E-flat Major | 1725 | 5 | |
Polonaise (by J. A. Hasse) BWV Anh. 130 | G Major | 1725 | 3 | |
Aria (by J. C. Bach) BWV Anh. 131 | F Major | 1725 | 1 | |
Aria: Warum betrübst du dich BWV 516 | F Minor | 1725 | 2 | |
Recitative and Aria: Ich habe genug BWV 82 | G Major | 1725 | 4 | |
Chorale: Shaffs mit mir, Gott BWV 514 | C Major | 1725 | 2 | |
Minuet BWV Anh. 132 | D Minor | 1725 | 3 | |
Aria di Giovannini BWV 518 | E-flat Major | 1725 | 4 | |
Chorale: Dir, dir, Jehova, will ich singen BWV 299 | B-flat Major | 1725 | 5 | |
Chorale: Wie wohl ist mir, o Freund der Seelen BWV 517 | F Major | 1725 | 2 | |
Aria: Gedenke doch, mein Geist, zurükke BWV 509 | E-flat Major | 1725 | 3 | |
Chorale: O Ewigkeit, du Donnerwort BWV 513 | F Major | 1725 | 2 | |
Chorale: Jesu, meine Zuversicht BWV 728 | C Major | 1722 | 4 | |
Miscellaneous pieces |
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Bourrée | E Minor | – | 3 | |
Jesu, Joy of Man’s Desiring BWV 147 | G Major | 1723 | 7 | |
Minuet BWV 813 a | C Minor | 1722 | 3 | |
Overture in the French Style BWV 831 | B Minor | 1735 | 8+ | |
Allemande BWV 836 | G Minor | 1720 | 4 | |
Minuet BWV 841 | G Major | 1720 | 5 | |
Minuet BWV 842 | G Minor | 1720 | 5 | |
Minuet BWV 843 | G Major | 1720 | 5 | |
Prelude & Fugue BWV 894 | A Minor | 1708 | 8+ | |
Chromatic Fantasia & Fugue BWV 903 | D Minor | 1720 | 8+ | |
Fantasia & Fugue BWV 904 | A Minor | 1725 | 8+ | |
Fantasia & Fugue BWV 906 | C Minor | 1738 | 8+ | |
Fantasia BWV 917 | G Minor | 1738 | 8+ | |
Fantasia on a Rondo BWV 918 | C Minor | 1738 | 8+ | |
Fantasia BWV 919 | C Minor | – | 6 | |
Prelude BWV 921 | C Minor | 1713 | 7 | |
Prelude (Fantasia) BWV 922 | A Minor | – | 8+ | |
Prelude & Fugue – on a Theme by Albinoni BWV 923 & 951 | B Minor | 1712 | 8+ | |
Fantasia & Fugue BWV 944 | A Minor | 1714 | 8+ | |
Adagio – after BWV 1005 BWV 968 | G Major | 1725 | 8 | |
Italian Concerto BWV 971 | F Major | 1735 | 8 | |
Goldberg Variations BWV 988 | G Major | 1741 | 8+ | |
Aria Variata BWV 989 | A Minor | 1709 | 8 | |
Capriccio on the Departure of his Most Beloved Brother BWV 992 | B-flat Major | 1704 | 8 | |
Capriccio BWV 993 | E Major | 1721 | 8+ | |
Applicatio BWV 994 | C Major | 1720 | 5 |
Copy by: pianosintheparks.com
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