Johannes Brahms
born | 7 May 1833
Hamburg
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Died | 3 April 1897 (aged 63)
Vienna
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Occupations |
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Works | List of compositions |
Johannes Brahms (/brɑːmz/; German: [joˈhanəs ˈbʁaːms]; 7 May 1833 – 3 April 1897) was a German composer, virtuoso pianist, and conductor of the mid-Romantic period. His music is rooted in the structures and compositional techniques of his Classical (and earlier) forebears, including Ludwig van Beethoven and Johann Sebastian Bach. His compositions include four symphonies, four concertos, a Requiem, and many songs, amongst other music for symphony orchestra, piano, organ, voices, and chamber ensembles. They remain a staple of the concert repertoire.
Brahms is a composer who explores profound emotional depths, both in the monumental sonatas of his youth and in the gentle miniatures of his old age. But the power of his music also lies in its magnificent architecture and sense of development. His streak of nostalgic sadness came partly from thwarted love, and partly from his sense of being alone in upholding the Classical tradition. Thus, already his contemporaries spoke of the “three great B:s” – meaning Bach, Beethoven, and Brahms.
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Biography
There are many stories of Johannes Brahms´s (1833-1897) prickliness, sarcasm and tactlessness – but it would be equally true to describe him as a generous and kind man. Achieving considerable wealth in later years, he never spent it on himself, but helped his family as well as younger composers. A voracious reader throughout his life, he ended up with a well-used library of over 800 titles including poetry, fiction, drama, history, art, philosophy, religion and travel. Growing up in simple circumstances, Brahms gave piano lessons and played popular music at private gatherings and in restaurants. All youthful efforts to compose fell victim to his intense self-scrutiny. A turning point came in 1853 when Brahms met Robert and Clara Schumann. Robert hailed Brahms as the true musician of the future in a famous essay (“Neue Bahnen”) of the same year. After Robert´s nervous breakdown and suicide attempt Brahms gave up everything he was doing to assist Clara, developing a strong romantic passion for her, while she probably viewed him more as a devoted son.
When Robert died Brahms and Clara went their separate ways, nevertheless remaining the closest of friends. Brahms went through a period of depression and low productivity, but renewed studies of counterpoint and early music enabled a glorious comeback in the 1860s with a series of chamber works (incl. string sextets, piano quintet, piano quartets) and piano pieces (Handel variations and Paganini variations). The critical acclaim of his German Requiem, written after his mother’s death, established Brahms as a major composer, but he still struggled to master the string quartet and the symphony. Not until he was 40 did he complete the first two quartets (Op. 51) that he considered worthy of publication; three years later came the Symphony no.1 in C minor, which had occupied him for at least fifteen years.
A steady stream of mature orchestral works followed, among them three more symphonies and the second piano concerto. By 1890 Brahms was ready to retire from composing, but meeting the clarinetist Richard Mühlfeld started a surge of creativity that enriched the repertory for that instrument remarkably, with two sonatas (Op.120), one trio (Op. 114) and one quintet (Op.115). In his later years Brahms condensed his musical thought almost to the extreme. Examples of this compact and forward-looking style are the piano pieces Opp. 116-119, and the last piece Brahms published, Vier ernste Gesänge, written in connection with the death of Clara Schumann.
Quotes by Brahms
“Without craftsmanship, inspiration is a mere reed shaken in the wind.”
“It is not hard to compose, but what is fabulously hard is to leave the superfluous notes under the table.”
“If there is anyone here I have failed to insult, I beg his pardon”
Quotes about Brahms
“I can truly say, my children, that I have never loved a friend as I loved him; it is the most beautiful mutual understanding of two souls. I do not love him for his youthfulness, nor probably for any reason of flattered vanity. It is rather his elasticity of spirit, his fine gifted nature, his noble heart that I love” (Clara Schumann)
“He is the most wanton of composers […] Only his wantonness is not vicious; it is that of a great baby […] rather tiresomely addicted to dressing himself up as Handel or Beethoven and making a prolonged and intolerable noise.”(George Bernard Shaw)
Most popular pieces: |
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Intermezzo Op. 117 No. 1 | E-flat Major | 1892 | 8 | |
Intermezzo Op. 118 No. 2 | A Major | 1893 | 8+ | |
Rhapsody Op. 79 No. 2 | G Minor | 1880 | 8 | |
Hungarian Dance 5 – solo piano version | F-sharp Minor | 1872 | 8+ | |
Piano Concerto 1 Op. 15 | D Minor | 1859 | 8+ | |
All pieces: |
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Concertos |
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Piano Concerto 1 Op. 15 | D Minor | 1859 | 8+ | |
Piano Concerto 2 Op. 83 | B-flat Major | 1881 | 8+ | |
Sonatas |
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Sonata 1 Op. 1 | C Major | 1853 | 8+ | |
Sonata 2 Op. 2 | F-sharp Minor | 1853 | 8+ | |
Sonata 3 Op. 5 | F Minor | 1854 | 8+ | |
Variations |
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Variations on a theme by Robert Schumann Op. 9 | F-sharp Minor | 1854 | 8+ | |
Theme and Variations Op. 18 b | D Minor | 1855 | 8 | |
Variations on an Original Theme Op. 21 No. 1 | D Major | 1857 | 8+ | |
Variations on a Hungarian Song Op. 21 No. 2 | D Major | 1856 | 8+ | |
Variations on a Theme by R Schumann – for four hands Op. 23 | E-flat Major | 1863 | 8+ | |
Variations and Fugue on a Theme by Handel Op. 24 | B-flat Major | 1861 | 8+ | |
Paganini Variations – Book 1 Op. 35 | A Minor | 1866 | 8+ | |
Paganini Variations – Book 2 Op. 35 | A Minor | 1866 | 8+ | |
Variations on a Theme by Haydn – for two pianos Op. 56 b | B-flat Major | 1873 | 8+ | |
Hungarian Dances (four hands) |
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Hungarian Dance 1 | G Minor | 1869 | 8 | |
Hungarian Dance 2 | D Minor | 1869 | 8+ | |
Hungarian Dance 3 | F Major | 1869 | 8 | |
Hungarian Dance 4 | F Minor | 1869 | 8 | |
Hungarian Dance 5 | F-sharp Minor | 1869 | 8 | |
Hungarian Dance 6 | D-flat Major | 1869 | 8 | |
Hungarian Dance 7 | A Major | 1869 | 7 | |
Hungarian Dance 8 | A Minor | 1869 | 8 | |
Hungarian Dance 9 | E Minor | 1869 | 7 | |
Hungarian Dance 10 | E Major | 1869 | 8+ | |
Hungarian Dance 11 | D Minor | 1880 | 8 | |
Hungarian Dance 12 | D Minor | 1880 | 8+ | |
Hungarian Dance 13 | D Major | 1880 | 8 | |
Hungarian Dance 14 | D Minor | 1880 | 8+ | |
Hungarian Dance 15 | B-flat Major | 1880 | 8+ | |
Hungarian Dance 16 | F Minor | 1880 | 7 | |
Hungarian Dance 17 | F-sharp Minor | 1880 | 8 | |
Hungarian Dance 18 | D Major | 1880 | 8 | |
Hungarian Dance 19 | B Minor | 1880 | 8+ | |
Hungarian Dance 20 | E Minor | 1880 | 8 | |
Hungarian Dance 21 | E Minor | 1880 | 8+ | |
Hungarian Dances (solo piano) |
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Hungarian Dance 1 – solo piano version | G Minor | 1872 | 8+ | |
Hungarian Dance 2 – solo piano version | D Minor | 1872 | 8+ | |
Hungarian Dance 3 – solo piano version | F Major | 1872 | 8+ | |
Hungarian Dance 4 – solo piano version | F-sharp Minor | 1872 | 8+ | |
Hungarian Dance 5 – solo piano version | F-sharp Minor | 1872 | 8+ | |
Hungarian Dance 6 – solo piano version | D-flat Major | 1872 | 8+ | |
Hungarian Dance 7 – solo piano version | F Major | 1872 | 8+ | |
Hungarian Dance 8 – solo piano version | A Minor | 1872 | 8+ | |
Hungarian Dance 9 – solo piano version | E Minor | 1872 | 8+ | |
Hungarian Dance 10 – solo piano version | E Major | 1872 | 8+ | |
Four Ballades Op. 10 |
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1. Ballade | D Minor | 1854 | 8 | |
2. Ballade | D Major | 1854 | 8 | |
3. Ballade | B Minor | 1854 | 8 | |
4. Ballade | B Major | 1854 | 8 | |
Waltzes (four hands) Op. 39 |
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1. Waltz | B Major | 1867 | 5 | |
2. Waltz | E Major | 1867 | 5 | |
3. Waltz | G-sharp Minor | 1867 | 4 | |
4. Waltz | E Minor | 1867 | 5 | |
5. Waltz | E Major | 1867 | 5 | |
6. Waltz | C-sharp Major | 1867 | 6 | |
7. Waltz | E Major | 1867 | 5 | |
8. Waltz | B-flat Major | 1867 | 5 | |
9. Waltz | D Minor | 1867 | 3 | |
10. Waltz | G Major | 1867 | 4 | |
11. Waltz | D Major | 1867 | 5 | |
12. Waltz | E Major | 1867 | 4 | |
13. Waltz | C Major | 1867 | 6 | |
14. Waltz | C Major | 1867 | 6 | |
15. Waltz | A Major | 1867 | 5 | |
16. Waltz | D Minor | 1867 | 4 | |
Waltzes (solo piano) Op. 39 |
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1. Waltz | B Major | 1865 | 7 | |
2. Waltz | E Major | 1865 | 6 | |
3. Waltz | G-sharp Minor | 1865 | 6 | |
4. Waltz | E Minor | 1865 | 7 | |
5. Waltz | E Major | 1865 | 6 | |
6. Waltz | C-sharp Major | 1865 | 6 | |
7. Waltz | E Major | 1865 | 6 | |
8. Waltz | B-flat Major | 1865 | 6 | |
9. Waltz | D Minor | 1865 | 5 | |
10. Waltz | G Major | 1865 | 5 | |
11. Waltz | D Major | 1865 | 6 | |
12. Waltz | E Major | 1865 | 7 | |
13. Waltz | B Major | 1865 | 7 | |
14. Waltz | G-sharp Minor | 1865 | 7 | |
15. Waltz | A-flat Major | 1865 | 6 | |
16. Waltz | C-sharp Minor | 1865 | 6 | |
Liebeslieder Waltzes Op. 52 |
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1. Waltz – for four hands | E Major | 1869 | 4 | |
2. Waltz – for four hands | A Minor | 1869 | 4 | |
3. Waltz – for four hands | A Major | 1869 | 4 | |
4. Waltz – for four hands | F Major | 1869 | 3 | |
5. Waltz – for four hands | A Minor | 1869 | 3 | |
6. Waltz – for four hands | A Major | 1869 | 5 | |
7. Waltz – for four hands | A-flat Major | 1869 | 4 | |
8. Waltz – for four hands | A-flat Major | 1869 | 5 | |
9. Waltz – for four hands | E Major | 1869 | 5 | |
10. Waltz – for four hands | G Major | 1869 | 4 | |
11. Waltz – for four hands | C Minor | 1869 | 5 | |
12. Waltz – for four hands | E-flat Major | 1869 | 4 | |
13. Waltz – for four hands | A-flat Major | 1869 | 3 | |
14. Waltz – for four hands | E-flat Major | 1869 | 3 | |
15. Waltz – for four hands | A-flat Major | 1869 | 5 | |
16. Waltz – for four hands | F Minor | 1869 | 4 | |
17. Waltz – for four hands | D-flat Major | 1869 | 4 | |
18. Waltz – for four hands | D-flat Major | 1869 | 5 | |
New Liebeslieder Waltzes Op. 65 |
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1. Waltz – for four hands | A Minor | 1877 | 3 | |
2. Waltz – for four hands | A Minor | 1877 | 3 | |
3. Waltz – for four hands | A Major | 1877 | 3 | |
4. Waltz – for four hands | D Minor | 1877 | 2 | |
5. Waltz – for four hands | D Minor | 1877 | 3 | |
6. Waltz – for four hands | F Major | 1877 | 3 | |
7. Waltz – for four hands | C Major | 1877 | 4 | |
8. Waltz – for four hands | E-flat Major | 1877 | 4 | |
9. Waltz – for four hands | G Minor | 1877 | 3 | |
10. Waltz – for four hands | G Major | 1877 | 4 | |
11. Waltz – for four hands | G Major | 1877 | 5 | |
12. Waltz – for four hands | G Minor | 1877 | 5 | |
13. Waltz – for four hands | E Major | 1877 | 5 | |
14. Waltz – for four hands | A Minor | 1877 | 5 | |
15. Ending – for four hands | F Major | 1877 | 5 | |
Eight Pieces Op. 76 |
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1. Capriccio | F-sharp Minor | 1878 | 8+ | |
2. Capriccio | B Minor | 1878 | 8+ | |
3. Intermezzo | A-flat Major | 1878 | 8+ | |
4. Intermezzo | B-flat Major | 1878 | 8+ | |
5. Capriccio | C-sharp Minor | 1878 | 8+ | |
6. Intermezzo | A Major | 1878 | 8+ | |
7. Intermezzo | A Minor | 1878 | 7 | |
8. Capriccio | C Major | 1878 | 8+ | |
Two Rhapsodies Op. 79 |
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1. Rhapsody | B Minor | 1880 | 8+ | |
2. Rhapsody | G Minor | 1880 | 8 | |
Fantasies Op. 116 |
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1. Capriccio | D Minor | 1892 | 8+ | |
2. Intermezzo | A Minor | 1892 | 8+ | |
3. Capriccio | G Minor | 1892 | 8+ | |
4. Intermezzo | E Major | 1892 | 8 | |
5. Intermezzo | E Minor | 1892 | 8 | |
6. Intermezzo | E Major | 1892 | 8 | |
7. Capriccio | D Minor | 1892 | 8 | |
Three Intermezzi Op. 117 |
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1. Intermezzo | E-flat Major | 1892 | 8 | |
2. Intermezzo | B-flat Minor | 1892 | 8 | |
3. Intermezzo | C-sharp Minor | 1892 | 8 | |
Six Pieces Op. 118 |
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1. Intermezzo | A Minor | 1893 | 8+ | |
2. Intermezzo | A Major | 1893 | 8+ | |
3. Ballade | G Minor | 1893 | 8+ | |
4. Intermezzo | F Minor | 1893 | 8+ | |
5. Romance | F Major | 1893 | 8+ | |
6. Intermezzo | E-flat Minor | 1893 | 8+ | |
Four Pieces Op. 119 |
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1. Intermezzo | B Minor | 1893 | 8+ | |
2. Intermezzo | E Minor | 1893 | 8+ | |
3. Intermezzo | C Major | 1893 | 8+ | |
4. Rhapsody | E-flat Major | 1893 | 8+ | |
Piano Studies |
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Study – after Impromptu Op 90 No 2 by Schubert | E-flat Major | 1871 | 8+ | |
51 Piano Exercises | N/A | 1893 | 8 | |
Study 1 – after an Etude by Chopin | F Minor | 1869 | 8+ | |
Study 2 – after a Rondo by Weber | C Major | 1869 | 8+ | |
Study 3 – after a Presto by Bach (1st version) | G Minor | 1879 | 8+ | |
Study 4 – after a Presto by Bach (2nd version) | G Minor | 1879 | 8+ | |
Study 5 – after a Chaconne by Bach (for left hand only) | D Minor | 1879 | 8+ | |
Miscellaneous pieces |
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Albumblatt | A Minor | 1853 | 6 | |
Two Gigues | N/A | 1855 | 8 | |
Two Sarabandes | N/A | 1855 | 7 | |
Transcription – of a Gavotte by Gluck | A Major | 1871 | 8+ | |
Scherzo Op. 4 | E-flat Minor | 1854 | 8+ | |
Piano Quintet Op. 34 | F Minor | 1864 | 8+ | |
Sonata – for two pianos Op. 34 b | F Minor | 1871 | 8+ |
Source by: pianosintheparks.com
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